Diretores

Beto Brant

Born in Jundiaí, São Paulo, Brazil, in 1964. He graduated in cinema from the FAAP and began his career directing music videos for bands like Titãs. He directed short films such as “Aurora” (1987), “Dov’è Meneghetti?” (1989, 14th Mostra) and “Jó” (1993, 17th Mostra), before releasing his first feature, “Belly Up” (1997). He also directed “Friendly Fire” (1998, 22nd Mostra), “The Trespasser”(2002), awarded at Sundance and Havana film festivals, “Delicate Crime” (2005, 29th Mostra), awarded at the Lima Film Festival, “Stray Dog” (2007), “Love According to B. Schianberg” (2010, 33rd Mostra), “I’d Receive the Worst News from Your Beautiful Lips” (2011, 35th Mostra), “Pitanga” (2016), winner of Critics Prize for best Brazilian feature at 40th Mostra, and “La Planta” (2020, 44th Mostra). In 2019, Brant made part of the jury of the 43rd Mostra.

Guilherme Coelho

Born in Rio de Janeiro. After studying journalism, theater and graduating in economics, Coelho founded Matizar Filmes. His documentaries Fala Tu, Living Rap in Rio (2003, 27th Mostra), Fernando Lemos - Through the Image (2005, 30th Mostra), Pqd - Brazilian Paratroopers (2007, 31st Mostra) and A Sunday with Frederico Morais (2011, 35th Mostra) were screened at many festivals around the world, such as Berlin, Cinéma du Réel, Rio Festival and São Paulo International Film Festival. He produced Jogo de Cena and Moscow, by documentary filmmaker Eduardo Coutinho.

In 2015, Coelho participated in Belinale Talent Campus and, in that same year, directed his first fictional film, Orphans of Eldorado (2014, 39th Mostra). Written and directed by him, the film was presented at many festivals. In 2017, he participated in the Talents Program in Buenos Aires. He is currently working on his second feature script, Neuros, selected to Paris Co-Production Village and Script Circle, Berlin. In addition, he just finished the documentary Lights On, presented at the 44th Mostra.

Jia Zhangke

Born in Fenyang, Shanxi province, in China, in 1970, he is one of the most important filmmakers today. Jia made, among others, the features “Pickpocket” (1997), awarded at the Berlin International Film Festival, “Platform” (2000), awarded at the Venice International Film Festival, “The World” (2004), which received the critics prize at the 29th Mostra, “Still Life” (2006), winner of the Golden Lion at Venice, “24 City” (2008), “A Touch of Sin” (2013), best screenplay at the Cannes Film Festival, and “Ash Is Purest White” (2018), all presented at Mostra. During the 31st Mostra, in 2007, the filmmaker came to São Paulo to present a retrospective of his work, and at the 38th Mostra, in 2014, he was honored with the Leon Cakoff Prize. In 2020, at the 44th Mostra, Jia Zhangke signed the art of the edition’s poster and also exhibited the short “Visit” (2020) and the feature film “Swimming Out Till the Sea Turns Blue” (2020).

Silvio Tendler

Born in Rio de Janeiro, Brazil, in 1950, Tendler majored in history from the University of Paris, with a master’s degree in cinema and history from the School of Advanced Studies in Social Sciences. One of the most important Brazilian documentary filmmakers, in his 50-year career, he released more than 80 films, including features, medium-length films and short films. His filmography includes the documentaries “The JK Years: A Political Trajectory” (1980), “Jango” (1984), “Retrato Falado do Poeta Castro Alves” (1997), “Marighella – Retrato Falado do Guerrilheiro” (2001), “Glauber the Movie, Labyrinth of Brazil” (2003, 27th Mostra), “Encontro com Milton Santos ou o Mundo Global Visto do Lado de Cá” (2006), “Utopia and Barbarism” (2009, 33rd Mostra) and “Nas Asas da Pan Am” (2020, 44th Mostra).

Tsai Ming-Liang

Born in Malaysia in 1957 and moved to Taiwan in 1977, where he studied cinema and began his career. He is one of the most prominent film directors of the contemporary cinema and directed films such as “Rebels of the Neon God” (1992), “Vive l’Amour” (1994), winner of the Golden Lion at the Venice International Film Festival, “The River” (1997, 21st Mostra), which won the Silver Bear at the Berlin International Film Festival, “The Hole” (1998), critics’s prize at the Cannes Film Festival, “What Time Is it There?” (2001, 26th Mostra), “The Skywalk Is Gone” (2002, 27th Mostra), “Goodbye, Dragon Inn” (2003, 27th Mostra), “The Wayward Cloud” (2004), “Stray Dogs” (2013), winner of grand special jury prize at Venice, and “Days” (2020, 44th Mostra), that won the special mention of Teddy Award at the Berlinale. He has also directed “Aquarium”, a segment of the feature “Welcome to São Paulo” (2004), produced by Mostra, and the feature “Face” (2009), on invitation of the Louvre Museum. In recent years, he has also dedicated himself to the possibilities of exhibition spaces in museums and galleries through art installations.

Ai Weiwei

Born in Beijing, China, in 1957. Political dissident and one of the most important contemporary artists, Ai Weiwei also acts as filmmaker, photographer and architect. Son of Ai Qing, one of the most successful poets in China, he grew up in exile in his own country. When he was young, Ai Weiwei went to the USA and entered Parsons School of Design in New York, but most of his learning came from experiences with local artists and intellectuals. Back to China, he produced some of his most important works, like the destruction of an ancient urn dated from the Hun dynasty and the widely known series of images called Study of Perspective. He directed documentaries such as Disturbing the Peace (2009), So Sorry (2012) and Ordos 100 (2012). In 2017, at the 41st Mostra, Ai Weiwei signed the concept art to the edition’s poster, presented the documentary Human Flow and was honored with the Humanity Award. At the 44th Mostra, he exhibits Coronation and Vivos.

Jafar Panahi

Born in Minaeh, Iran, in 1960. He studied film and TV directing in Tehran. Most important Iranian filmmaker in activity, he was Abbas Kiarostami’s assistant director in Under the Olive Trees, winner of the Critic’s Prize at the 18th Mostra). The White Balloon (1995, 19th Mostra), his first feature film as a director, was awarded with the Golden Camera at the Cannes Film Festival. He has also directed titles such as The Mirror (1997, 22nd Mostra, in which he was also member of the International Jury), winner of Locarno Film Festival, The Circle (2000, 24th Mostra), winner of the Golden Lion at the Venice Film Festival, Crimson Gold (2003, 28th Mostra), winner of Un Certain Regard Jury Award, and Offside (2006, 30th Mostra), winner of Silver Bear at Berlinale. In 2010, he was charged with six years in prison and was forbidden to film or leave Iran for two decades under the accusation of doing advertising against the Iranian government. One year later, Panahi directed This Is Not a Film (2011), shown at the 35th Mostra and awarded with the Silver Bear for best screenplay at the Berlinale. He also signed the direction of Closed Curtain (2013, 37th Mostra), best screenplay at Berlin, Taxi Tehran (2015), best film at Berlinale and 3 Faces (2018, 42nd Mostra), best screenplay at Cannes. The filmmaker was honored with the Humanity Award at 42nd Mostra, in 2018.

Lav Diaz

Born in the Philippines in 1958. He is the most important contemporary filmmaker of his country, and in 2013, the 37th Mostra presented a retrospective of his work, with the presence of the director, who joined the international jury. Among his most notable works are “Evolution of a Filipino Family” (2004), “Death in the Land of Encantos” (2007), “Melancolia” (2008), winner of the Horizons section at the Venice International Film Festival, “Norte, the End of History” (2013), “From What Is Before” (2014), best film at the Locarno Film Festival and the audience award at the 38th Mostra, “A Lullaby to a Sorrowful Mystery” (2016, 40th Mostra), awarded at the Berlinale, “The Woman who Left” (2016), winner of the Golden Lion at Venice, “The Halt” (2019, 43rd Mostra) and “Genus Pan” (2020, 44th Mostra).

Radu Jude

Born in Romania in 1977. He graduated in the filmmaking department of media at the University of Bucharest. In 2009, he made his debut in feature films direction with “The Happiest Girl in the World”. From him, Mostra presented the feature films “Aferim!” (2015), winner of the Silver Bear for best director at the Berlin International Film Festival, “Scarred Hearts” (2016), winner of the special jury prize at the Locarno Film Festival, “I Do Not Care if We Go Down in History as Barbarians” (2018), best film at the Karlovy Vary International Film Festival, “The Exit of the Trains” (2020), “Bad Luck Banging or Loony Porn” (2021), winner of the Golden Bear at the Berlinale, and “Do Not Expect Too Much From the End of the World” (2023), which won the special jury prize at Locarno.

Rodrigo Areias

Born in Portugal in 1978. He studied audiovisual at the Portuguese Catholic University and later specializing in film at NYU Tisch School of the Arts. He has produced and co-produced films works for authors such as FJ Ossang, Gabe Klinger, Eduardo Williams, Lois Patiño, Matias Piñeiro, Edgar Pêra, João Canijo, Ana Rocha de Sousa and André Gil Mata, screened in film festivals like Cannes, Berlin, Venice, Rotterdam, Locarno, Clermont-Ferrand and Annecy. He was also responsible for the cinema production for the Guimarães 2012 – European Capital of Culture. Areias directed feature films like “Thebes” (2007), “Hay Road” (2012), “1960” (2013), “Ornament and Crime” (2015), “Blue Breath” (2018), “Surdine” (2019) and “Down by Life” (2020), all of them presented at Mostra. In 2022, Rodrigo Areias was a member of the jury of the 46th Mostra. At the 48th Mostra, he also presents “The Stone Dreams to Blossom” and “The Worst Man in London”.