Jornal da Mostra

With a total amount of 82 movies, International Perspective section presented at the 44th Mostra brings to the Brazilian audience a selection of cinematographic productions from all over the world, from features screened and awarded in festivals the past year, to recent works of renowned directors and new film discoveries. In this section, both traditional cinematographies and others that hardly reach Brazil are represented.

In this year`s selection are films like the one that opens the event, Michel Franco`s New Order, awarded at Venice Film Festival and shown at San Sebastián and Toronto festivals, Vivos, by Ai Weiwei, and Miss Marx, by Susanna Nicchiarelli, also awarded at Venice Film Festival and shown at San Sebastián Film Festival.

Check, below, the complete list of films that integrate the International Perspective section.

1986, by Lothar Herzog (GERMANY, BELARUS)

499, by Rodrigo Reyes (USA, MEXICO)

A COMMON CRIME, by Francisco Márquez (ARGENTINA, BRAZIL, SWITZERLAND)

A PLEASURE, COMRADES!, by José Filipe Costa (PORTUGAL)

AND THE BIRDS RAINED DOWN, by Louise Archambault (CANADA)

ANERCA, BREATH OF LIFE, by Markku Lehmuskallio and Johannes Lehmuskallio (FINLAND)

BEANS, by Tracey Deer (CANADA)

BERLIN ALEXANDERPLATZ, by Burhan Qurbani (GERMANY, NETHERLANDS)

BETWEEN HEAVEN AND EARTH, by Najwa Najjar (PALESTINE, LUXEMBOURG, ICELAND)

BLOODY NOSE EMPTY POCKETS, by Bill Ross IV and Turner Ross (USA)

CAT IN THE WALL, by Mina Mileva and Vesela Kazakova (BULGARIA, UNITED KINGDOM, FRANCE)

CHARLATAN, by Agnieszka Holland (CZECH REPUBLIC)

COOK F**K KILL, by Mira Fornay (CZECH REPUBLIC, SLOVAKIA)

CROWS, by Naghi Nemati (IRAN, CANADA)

DAU. DEGENERATION, by Ilya Khrzhanovsky and Jekaterina Oertel (GERMANY, UKRAINE, UNITED KINGDOM)

DAU. NATASHA, by Ilya Khrzhanovsky and Jekaterina Oertel (GERMANY, UKRAINE, UNITED KINGDOM)

DAYS, by Tsai Ming-Liang (TAIWAN)

DINNER IN AMERICA, by Adam Rehmeier (USA)

FANNY LYE DELIVER`D, by Thomas Clay (UNITED KINGDOM, GERMANY)

FATHER, by Srdan Golubović (SERBIA)

FEBRUARY, by Kamen Kalev (BULGARIA, FRANCE)

GODDESS OF THE FIREFLIES, by Anaïs Barbeau-Lavalette (CANADA)

HEADLESS, by Kaveh Sajjadi Hosseini (IRAN)

IN BETWEEN DYING, by Hilal Baydarov (AZERBAIJAN, MEXICO, USA)

IN THE DUSK, by Sharunas Bartas (LITHUANIA, FRANCE, CZECH REPUBLIC, SERBIA, PORTUGAL, LATVIA)

JUST LIKE THAT, by Kislay (INDIA)

KHARTOUM OFFSIDE, by Marwa Zein (SUDAN, NORWAY, DENMARK)

KUBRICK BY KUBRICK, by Grégory Monro (FRANCE)

LAHI, HAYOP, by Lav Diaz (PHILIPPINES)

MALMKROG, by Cristi Puiu (ROMANIA, SERBIA, SWITZERLAND, SUEDEN, BOSNIA-HERZEGOVINA, NORTH MACEDONIA)

MISS MARX, by Susanna Nicchiarelli (ITALY, BELGIUM)

MORAL ORDER, by Mário Barroso (PORTUGAL)

MURMUR, by Heather Young (CANADA)

MY LITTLE SISTER, by Stéphanie Chuat and Véronique Reymond (SWITZERLAND)

MY REMBRANDT, by Oeke Hoogendijk (NETHERLANDS)

MY WONDERFUL WANDA, by Bettina Oberli (SWITZERLAND)

NADIA, BUTTERFLY, by Pascal Plante (CANADA)

NIMBY, by Teemu Nikki (FINLAND)

NOTTURNO, by Gianfranco Rosi (ITALY, FRANCE, GERMANY)

NUMBERS, by Oleg Sentsov and Akhtem Seitablaev (UKRAINE, POLAND, CZECH REPUBLIC, FRANCE)

OLLIVER HAWK, THE HYPNOTIST, by Arthur Franck (FINLAND)

ONE WAY TO MOSCOW, by Micha Lewinsky (SWITZERLAND)

OUR LADY OF THE NILE, by Atiq Rahimi (FRANCE, BELGIUM, RWANDA)

POPPIE NONGENA, by Christiaan Olwagen (SOUTH AFRICA)

ROSE PLAYS JULIE, by Joe Lawlor and Christine Molloy (IRELAND, UNITED KINGDOM)

RUNNING TO THE SKY, by Mirlan Abdykalykov (KYRGYZSTAN)

SERPENT`S PARADISE, by Bernardo Arellano (ITALY, MEXICO, USA)

SHADOW COUNTRY, by Bohdan Sláma (CZECH REPUBLIC)

SHIRLEY, by Josephine Decker (USA)

SIBERIA, by Abel Ferrara (ITALY, GERMANY, MEXICO)

SINGLE CYCLE, by Qi Zhang (CHINA)

SISTERS APART, by Daphne Charizani (GERMANY, GREECE)

SOROS, by Jesse Dylan (USA)

SOUNDLESS, by Behrang Dezfoulizadeh (IRAN)

SPIDER, by Andrés Wood (CHILE, ARGENTINA, BRAZIL)

SPORTIN` LIFE, by Abel Ferrara (FRANCE)

STARDUST, by Gabriel Range (UNITED KINGDOM)

SUN CHILDREN, by Majid Majidi (IRAN)

SWIMMING OUT TILL THE SEA TURNS BLUE, by Jia Zhangke (CHINA)

THE ART OF FALLISM, by Aslaug Aarsæther and Gunnbjørg Gunnarsdottir (NORWAY, SOUTH AFRICA)

THE DOMAIN, by Tiago Guedes (PORTUGAL, FRANCE)

THE EVENING HOUR, by Braden King (USA)

THE EXIT OF THE TRAINS, by Radu Jude and Adrian Cioflâncă (ROMANIA)

THE HOWLS, by Julio Hernández Cordón (MEXICO)

THE LAST BATH, by David Bonneville (FRANCE, PORTUGAL)

THE NEON ACROSS THE OCEAN, by Matthew Victor Pastor (PHILIPPINES, AUSTRALIA)

THE SHEPHERDESS AND THE SEVEN SONGS, by Pushpendra Singh (INDIA)

THE TWENTIETH CENTURY, by Matthew Rankin (CANADA)

THE VINLAND CLUB, by Benoit Pilon (CANADA)

THE VOICELESS, by Pascal Rabaté (FRANCE)

THE YEAR OF THE DEATH OF RICARDO REIS, by João Botelho (PORTUGAL)

THERE IS NO EVIL, by Mohammad Rasoulof (IRAN, GERMANY, CZECH REPUBLIC)

THIS IS NOT A BURIAL, IT`S A RESURRECTION, by Lemohang Jeremiah Mosese  (LESOTHO, SOUTH AFRICA, ITALY)

TRUE MOTHERS, by Naomi Kawase (JAPAN)

VEINS OF THE WORLD, by Byambasuren Davaa (GERMANY, MONGOLIA)

VENCIDOS DA VIDA, by Rodrigo Areias (PORTUGAL)

VIVOS, by Ai Weiwei (GERMANY, MEXICO)

WALDEN, by Bojena Horackova (FRANCE, LITHUANIA)

WAR, by José Oliveira and Marta Ramos (PORTUGAL)

WELCOME TO CHECHNYA, by David France (USA)

WHEN THE MOON WAS FULL, by Narges Abyar (IRAN)

WINONA, by Alexandros Voulgaris (GREECE)